if you have heard daniel martin-mccormicks name recently, it would probably have been either in association with his disco/punk/echo band mi ami, or as sex worker on the not not fun label, or finally as ital on nnfs sister label 100% silk, recording quite different sounding house music to this album. raised in washington dc, daniel has a history in the citys hardcore scene, he was in the dischord records signed black eyes, but was also making dance inspired tracks at the same period, but coming from a very different angle from your average guy with a copy of logic and a working knowledge of dance musics history.
double 12 inch vinyl, including code for free download of this release.

softwar are 2 body builders from sydney - myles du chateau & jeremy lloyd - and they have finally finished their ep on future classic called > this time around<. as much as we tease softwar at how slow they are they have some pretty serious chops - their debut ep was signed to dj kaos label > jolly jams<, their remix of two door cinema club was hand picked by kitsune, their residence at slow blow at goodgod, sydney has got millions of hot >fashion< girls into deep house and theyve remixed mario & vidis and mitzi - meaning this will be their third appearance on future classic vinyl. >this time around< resonates filtery deep funk, soul and house and we are glad its finally here and not called brown noise

black sands came out in 2010 to almost universal critical acclaim and worldwide commercial success. si green aka bonobo moved from being an underground producer of impeccable credentials to a poster boy for a new take on electronic music – contemporary and edgy but also soulful, song-based, sometimes lush but always emotional. black sands remixed gathers together a group of like-minded musicians and producers to interpret this classic album.
triple 12 inch vinyl release, including code for free download of this album.

breaking-through in berlin is not an easy task and that is exactly what mike wall, the latest artist to join the hidden recordings family is doing with a remarkable release showcasing the versatility, artistry and pure soul that goes into making music for the big room. mikes talent first came to hidden recordings with his darker, jacking rendition of 014hr m.a.d.a. + planktons >antiz<. additionally, his inventive, high octane jams have found themselves on such high profile labels such as sleaze, on and on and pluseins. additional firepower enlisted for thre release comes two men who we deeply admire. the first is somebody who is making us re-think the boundaries of techno, the elusive and mysterious xhin from stroboscopic artefacts and clr. the second comes from splatter, with his evil and dark chugging glitched out trade-mark sound that will tear up danceflooors and leave you shaking in all the right ways. the combination of the originals and remixes will also be getting the deluxe vinyl treatment that followers of hidden recordings have come to expect – watch for it in february. we are proud and excited to share this one with you as we believe mike wall is a diamond in the rough. use these wisely to get your dance-floor moving and feedback is encouraged and welcome.

together with co-producer tom mcfall (r.e.m., weezer, stars) they experimented with new sounds, structures and melodies - and now they are very proud to present the result: the best album by alcoholic faith mission to date. alcoholic faith mission will continue touring as much as possible in 2012 in support of the album, covering europe and usa/canada - and hopefully theyll get to play lots of festivals in the sun.

kresy should not be a stranger for those who have been following hivern for the last couple of years. real name alejandro rodriguez,this young producer from asturias landed in the label with many man (incl in hivern a lestiu ii), a track that wisely matched deep-house dynamics with hip-hop vocals to become a quite unexpected underground floor-burner, getting regular plays by the likes of four tet or john talabot. now, were thrilled to introduce you lords of percussion his first fully own release on the label and first-ever vinyl output.

>aspen< is the name of christian loefflers single before his debut album on ki called >a forest<. the name of the single is not to be misunderstood as a dedication to the ski resort in colorado. its rather a dedication to christian loefflers home region in the north of germany. loeffler walked out into the forests near darss, to take field recordings of the trees that commonly grow in that area, which are called >aspen<. the landscape near darss is characterized by signs of storm and rough sea climate, but is also considered as a popular health resort in germany. the tracks on >aspen< create this contrary atmosphere: noise and silence, destruction and peacefulness, electronic sounds and traditional instruments unite in harmony. the cover artwork for >aspen< was taken by christian loeffler himself in the forests of darss.

nice price deal !!! up to this point, diogo accioly and diego mouras partnership as talking props has taken off and reached the heights of international acknowledgment almost effortlessly. acclaimed not only by their peers, somewhat denoted by the fruitful joint ventures they managed to forge which renowned names such as vincenzo, argy, but also peer whose attention they managed to grab, labels reputed as bastions of quality music such as suara and dessous. quite predictably, it seems that in the case of this release on the d-edge records, the label sprung from the club where they hold their long-lasting residency on thursdays, they made some of their best efforts to date, releasing two deliciously infectious numbers.

ndatl continues with new remixes crafted by label head kai alce of sacrifice, by house music legends robert owens and larry heard. owens and heard have not recorded together in more than a decade after countless classics such as bring down the walls, im strong and mysteries of love. after hearing the track when heard stopped by the ndatl studio, kzr was compelled to remix the song, and was quickly given the green light.

with former descent, bas welling (neurobit) is taking his music into a new direction. more than the breakcore, noise and digital hardcore he got know for the last couple of years, you can expect some dancefloor friendly electro experiences, weird dubstep like broken beats, phat acidic basslines and some beautiful ambient to end with. this ep is not for the faint-hearted and shows, once again, that anything could happen on the shipwrec label. highly limited to 200 copies!

nice price deal !!! heres something for you! pirahnahead revisits and finally releases this lost gem of a track from the detroit legend alton miller. this release entitled something 4 u (from alton millers stories from bohemia lp) is a remix which has been in the vault since 2003. in this package is the original 2003 mix and an updated touch on the cut for 2012. alton millers vocal is full of soul and feeling, and soars in the track as he delivers this powerful message. also featured is the wonderful cecilia c.sharpe (detroit symphony civic orchestra / urban stringz) on cellos, lending an extra warmth to the dancefloor vibe. live instruments, deep beats, hot vocal. not to be missed.

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

the first world unknown 12 inch of 2012 is a double header of throbbing midtempo techno and as with all world unknown releases from now on both tracks have been mastered for vinyl from ½ inch tape for maximum sonic excellence. on side w semtek from dont be afraid joins forces with his afterparty alter-ego chardonnay and a certain rather well known og hipster poet on >tacos for dinner<, an extremely modern and massively psychedelic trip into the outer mind. this clicking, bleeping, fizzing and throbbing ten minute excursion has been road tested from acetate by andy blake for many months and always sends the club somewhere very special and ever so slightly scary. on side u scott fraser delivers >remains the same<. its a notch or two less pacey than side w but no less powerful or psychedelic. its earthy vibe and pounding, throbbing tones have been part of andrew weatheralls sets for some time now and its not hard to see why. when the full percussion finally comes crunching in like a breakbeat on top of the ever-present heavyweight bassline its disco pandemonium time. in short, possibly the best 12 inch so far from wu.

audio phreaks are proud to present an astonishing new ep from their exciting new signing, diesel! diesel has been locked away in the studio perfecting his sound to a very high production level and you can instantly hear this boy has been putting in the hours since his earlier recordings. his productions are just insane and are certainly not for those who are looking out for an easy listen. basslines and beats collide with some very imaginative arrangements that make up a truly unique and distinct sound that only can be associated with the rising young talent that is diesel.

ncql annouces himself in no uncertain fashion with the anthemic strings of >the framed dreams of loki<. the track nods to dj premier, prefuse 73 and classic metalheadz d&b hidden agenda style and theres a subtle (!) reference to a certain classic 90s rave tune in there aswell. it sounds like a mess – its anything but! this is uplifting breakbeat at its very best. its not often a tune gets played twice by bailey on his bbc 1xtra show in the space of a month, so this must be something special. the flipside has a similar organic & uplifting aesthetic. a strutting break is the base for a deluge of warmth in the shape of synths, strings, flutes, harp and vocals – an unusual sound palette for a drum & bass track these days but refreshing to hear. dj flight thought so and has aired it on one of her next chapter rinse fm broadcasts.

!! vinyl only release , 300 copies only !! > modern underground music< is a collection of tracks culled from many corners of the underground. hopefully the first in a series. i want to feature a cross-section of genres, with a slew of new artists you might not be familiar with. i guess i could go the easy route and sign tracks from c2, cvs, etc. but thats not really what b/c is about

second release in 2012 is pirupas hard rocking debut on desolat. his party non stop is not only a trip down memory lane crossing paths of hip house as vocal version and early ravish bleep sounds as instrumental. its first and foremost a house sound of now - with attitude. dj qu, the man behind strength music, rounds up the ep with a healthy dose of drama with his epic raw remix.

special 2x12 inch salespack, very limited copies, best price !! killer hypnotic techhouse / techno!!

tj hertz he has a white label unknown objekt. from below as if the body is muscular rock sound, the words of the author’s case, dub step, three steps are a complex mixture of core and base, garage, techno. record during 28 months, hessle audio, including obtaining support from the scuba and surgeons, aphex twin, james ruskin, release the forefront of the techno / electronica scene, in the presence mysterious, and the label is. in addition, the top clubs such as fabric, such as radiohead sbtrkt work and nun or a mixer containing a book and berghain has been steadily eroded the deepest part of the scene is employed as. his name, the founder of a leading car rental company, or unit of frequency cited physicists in the mystical setter for a feature not leave a name, tj hertz. doberman, writing for himself while living in retirement in the body that is born in japan and raised in the uk, now in the outskirts of berlin, came from a magazine interview requests all 100 dj mag special million euros was more interested in the beginning with no offers, he said, the behavior is earnestly devoted to the basement

amazing record! tip! steyoyoke is a new berin-based house label and its first release is the three track >if i were music< ep by im fine (marco perschon & alexander grafenauer) and antonio olivieri. im fine are a production outfit who first met at berlins music engineering school, sae, and have since gone on to establish a tight working relationship and are currently working on a debut album reflecting their jazz, house and techno influences. antonio olivieri is italian born but now resides in berlin and has developed a firm reputation via releases for silicone souls darkroom dubs and lustundfreude, amongst others.

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

this is a pair of ortofon slipmats.ortofon s high qulaity slipmats not only feature artistic designs but are also the finest slipmats available on the market. mad out of a smooth, yet strong material, out slipmats provide better durability and won t damage or scruff your vinyl collection. due to our unique matte surface, our slipmats are far more resitant to dust and other particles, and the new glazed bottom provides optimum feel for turntablists and mix djs alike.

february sure isnt the month to laze around when the new rennbahn baby is chasing for your dance. the crotalus ep starts as if there was a crotalus right behind you! the original mix delivers a powerful basedrum and deep synths. the snake sounds, vocal snippets and the use of reverb and delay build a wide and huge atmosphere which leads us directly out of the reality into the heart of the jungle where youd love nothing better than to stay forever. watch out - you shouldnt stop dancing unless you want to get bitten by a snake! the marco fender remix on the flip side takes us out of the jungle into the club. an impulsive beat highlighted by a sub baseline comes to a nice replaying synth melody. here the vocal snippets are not applied to fulfill the song with a deep atmosphere but to complete the hypnotic rhythm of it. watch out - the snake still follows you at every turn! finally miyagis remix comforts us with safety - marching towards the end, it seems like we got rid of the snake. now we can wholeheartedly lose ourselves in very deep synths, floating hi-hats and a mystical and tempting melody. as if this wasnt enough the outstanding beat wont let you take a break and forces you to keep on dancing

supported by: luciano, soul clap, m.a.n.d.y., tiefschwarz, reboot, richie hawtin, robert owens, catz n dogz, audiofly, droog, the revenge, andre lodemann, jozif, butch, gorge, julietta, ray okpara. already known for his hit watamu beach on loco dices desolat imprint, sebbo certainly isnt unknown in electronic music scene anymore. this time he appears with his partner in crime mario da ragnio to release a fabulous deep groover entitled fourteen years. these guys definitely know how to combine modern elements of electronic music with a typical driving tech-house rhythm resulting in a magical tune made for all set-times. when talking about berlins electronic music scene,its very difficult not to mention smash tv aka holger zilske & kai preussner. known for their special kind of production, with releases on get physical or playhouse (holger zilske), they are now creating their very own interpre-tation of a deep house tune: chrystal moth. grooving, simple and effective. also on the flip-side, completing this deep soulfooled ep, label-partners superlounge bring another high class modern house tune, featuring jonny cruz, one again showing his skills on the microphone. the whisperer mirrors the typical deep superlounge style, modern vocals which will make you laugh and possible think about what jonny may or may not get up to in private. listen and enjoy!

break new soil kickstarts into 2012 with chapter 4 of our breaking new soil series.
macromism ride high on the waves of success of their monster track >groover< on rawthentic, and the two italians manage to keep the pace high on their debut for bns: >rave nu world<! label veteran daniele papini graces bns once again with his unmistakable production and the subtle arpeggiated beauty in his latest track >staying away from me<, and last but not least we are glad to present a track by labelowner gregor tresher together with german marathon-dj karotte, that has been a secret weapon in both of their sets for a long time and finally sees the light of day – today.

this one is with morgan phalen, from a band called diamond nights that we love but went unnoticed 6/7 years ago. he lives in los angeles and we had him come over to paris to record. we wrote the lyrics with him and tried, as always, not to sound too stupid, avoiding clichés like come to the dancefoor, but without pretending to be bob dylan either. our lyrics are always a bit quirky. if they sound good and theres a little edge or something fun to them, were happy.

this one is with morgan phalen, from a band called diamond nights that we love but went unnoticed 6/7 years ago. he lives in los angeles and we had him come over to paris to record. we wrote the lyrics with him and tried, as always, not to sound too stupid, avoiding clichés like come to the dancefoor, but without pretending to be bob dylan either. our lyrics are always a bit quirky. if they sound good and theres a little edge or something fun to them, were happy.

piotr bejnar might still look like a freshman on the mos ferry label, but he convinced us with talent, devotion and a fascinating drive when performing his music live on stage. look up his name on youtube and you will know why ... one year after his surprising debut with the digital 3-tracker >janusz ep<, this follow up will also be released on vinyl. for piotr bejnar the >cracow fight< is not only a platform to present himself. he welcomes his friend and producer jackname trouble on board and finishes the 4-tracker with 2 excellent remixes. yapacc and patlac are definitely no unknown entities. the two german producers are highly acclaimed for their own releases and remixed the tracks with great respect to the originals.

ltd coloured edition!! with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

2012! finally. the end of the magic maya calendar and the start of another cosmic ilian calendar until 2043. here we are with ilian number 12 hang on 2012 and ilian 12? yes thats not a coincidence,its all well planned. the 23 year young munich hustler marco z says hi with his third dish for ilian tape since he started playing fifa 94 on his sega mega drive. lazy and sexy as always he is initiating a new time for us. as the cosmic ilian starts 2012 – ilian tape is on a new mission for some selective raggamuffin cuts out of munich hbf. after air dolomiti required an own black box for each passenger to fly to bolzano, marco cancelled the flight and went back to his girls for some schlutzkrapfens. so get into the tracks while reading our never ending nonsense here and feel it!

with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

despite the doors being closed on dissident in 2009, former boss andy blake has been anything but quiet, with his world unknown imprint bringing the acid and ebm sounds of his night of the same name to the world. now hes started another label, in plain sight, which looks set to bring more esoteric house sounds to our ears, with the first release coming from the hitherto unknown youngtee. the first track, >dr chocolate< fuses the kind of oddball low-slung sounds and spoken-word samples that in flagranti have been masters of for years, with jazzy keys and 808 cowbells which hint at a subtle chicago influence. the classic house influence continues of >perfect model<, which combines misty chords with an 80s pop groove, falsetto vocal sample and synth jam solo which comes across as alternate universe michael jackson track. as youd expect from a label curated by blake, its house music, but not quite as you know it.

fireworks for 2012 to start the house music year with another incredible various artists ep on laid records, dials lovely subdivision. palisade aka redshape comes up with an outstanding journey into avantgarde based on the feedbacks of john cages >pendulum music<. smallvilles shooting star of 2011 moomin is back with another lovely tune - simply on point, direct into the heart. last but not least rndm follows up his pigon releases to beg for more: when will the first rndm longplayer will finally be released!? three tracks to prove again: house music is here to stay

when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

psych-y, droning disco aces from birminghams free school duo, backed with mark e and nutaike remixes. coming from a similar angle as caribou or four tet, >unravelling after the lottery< layers droning, almost noisy synths over bass-loaded kicks in a trippy cosmic disco miasmah sure to shock the dance.
mark es remix tames the drones for a more heads-down, molasses jacker arranged with his hypnotic evolutions.

andras toth is not a nu-school producer. please refrain from adding up-and-coming to his biography. he has arrived. with his second full solo-ep on alphahouse records, he presents a varied and captivating look into the mind of an accomplished musician. following the success of his previous works on the label, his debut >us< and the collaborative ep >futures< with boss-man butane, >would u?< is a trip through improvisational jazz, open-air sunrises, and sonic after-hours explorations. herein lies real music, nothing formulaic, nothing safe. the ep embodies an ethos, held by alphahouse, that musicianship is about originality, not following trends. there is still much that remains good in the world of independent electronic dance music. we will continue to search for, and find it.

early edit of 5 kin s in the very natural heritage/memory of ron hardy. absolutely essential cut,tempo switches manual fixes & reloops,hitting and still making you to want more. reminiscence, core and essence of house music in its purest form. detroit an instrumental edit of b-oogie on high filters wheels only available at the demf. juicy edit. here, cores for spin updates the original edit to current feedbacks while still remaining porny dancefloor roller boogie at the same time 5 kings - j: no need to see a video of terry hunter hammering the track to thousand people. this track receives massive support by big djs around the world and delivers quality time to every field. xxx - sensuous black: zodiacal and mythical impossible to find cut that farley was riding in 1986 -no shit- noticing on vinyl we can go frontal nudity, not like most digital distribution structures.

a mind focused in the future in every sense, characterized by a high sense of professionally. these are maybe the best words to describe nico lahs, young musician of worldwides underground music scene. its the tale of a child full of dreams, a tale about his love for drums grew up til today, becoming a true complete symbiosis with music at 360°. nicos figure is complex like a puzzle, the result of a youth written by experiences and extremes hardly recognizable in common places. behind his deep expression he hides at one side the charm of a party animal and on the other side the perfect accuracy of the pure musician, all features that leave, in a way or another, an unforgettable sign in every person who gets in contact with him. with a so particular personality and a always strong desire of freshness nico is able to transformevery performance, every set in every contest, unique in its own way. today his music is appreciated and supported by the biggest professionists and lovers of the international underground scene: a clear sign that the role of this musician in the futures global panorama will be as an absolute protagonist.

rising new label deadplate records drop their second release: the first vinyl offering by artifact, with a remix by graphics. artifact is the main moniker of bristols ryan bonfield, an exciting new producer that merges the hard hitting sounds of dubstep with the swung rhythms of 2-step. with support coming from the likes of mary anne hobbs and mosca, those familiar with bristols offerings to the uk dance scene will already be familiar with artifacts music. if youve ever heard one of his dubs on a dance floor, you will have known – its hard not to take notice when they drop. the original tracks here are perfectly complimented by a remix of archaic line by oxford/london dj and producer graphics, bringing how own personal techno / dubstep influenced twist to the original.

what can we say about this ep ? not much. this is a very well known house artist who wants to keep his identity secret. he sent us some parts of his old 90s house tracks and luckily they were remixed by our good friends coat of arms and breach from uk. this is a very special release for us. enjoy!

gorje hewek & izhevski present modern house par excellence on pro-tez records. >aureol< evolves around gorgeous, arpeggiated padded piano keys and perpetual house percussion layered with elegantly uplifting stings and moody vocal snippets. >inspire< is more bass driven, with daintier, mesmerizing keys and slow-burning atmospheres. not to be missed.

it has been a while since alex showed up with a follow up on credo, but as you know, good things do not only last for a while, they also require some time to be finished and this result is more than worth to wait for! hollywood bullet might remind you on some classic trackss essence and it kicks of impressively however, the real >go< follows after huuuge breaks and now its your turn to free the animals on the dancefloor with this weapon that contains not only plenty of energetic basslinesounds, but also load of colors which could be missed these days on often very monotonous technoproductions. alex is not afraid of bringing colors, and not only shades on credo, and so does heartattack: a really weird and unexpected groove on 120 bpm only, even kind of housy, but the upbuilding rythmic noises bring the track back to where it comes from, and this is nothing else as pure bassic energy. very very big release in our eyes!

rivet puts a lot of effort in his sounds and his production. this is not another copycat. first out on the ep >amid the roar< is >metrist<, a sexy march that blends the stiffness 80-ties disco with techno from the future. on the b-side marcel fengler takes his turn on >metrist<. he keeps the string of the original, chops up the bass and creates a dancefloor monster with a big anthem alert stamp on it. amid the roar ends with what might be the strongest track on the ep. this ep will make us dance, of course, as always, with a bit of a kontra-musik twist.

mathias bradler is a new face on micro.fon but not new to the game. under his full name, he delivers exactely the deep and dark techno sound we are looking for. a strong collection of deep, dubby and bass-driven technojourneys, based on minimalistic soundscapes and dry patterns. in on remix duties we got the infamous pawn shop people, known for their 12inch, recently released on stylerockets ltd. they added percussion and funk to the original and turned it into a essential dj-tool, which guarantees full impact on the floor.
early support by richie hawtin, dvs1, rapha dincsoy & slam

itongo is batongos alias for disco editing, less obscure, more groovy. not much is to be known about batongo, previously an active euro dance producer who released a bunch of hits in the nineties. 10 years ago, after a traumatic experience he escaped in perù and retired from the music business, during this years, on his spare time he made a lot of music, not meant for the public, just for himself. now he is still in perù, not willing to move back to europe but barely broke, he sold us the rights on his entire collection of unreleased recordings with condition of not revealing his real identity. we will unveil a series of eps ranging from obscure deep to psychedelic disco.

the next various artist release on houseworx lost housetracks vol. 3 welcomes 4 new artists to the houseworx family. siggatunez from germany, anton mayer from russia, freischwimmer from japan and last but not least, rhymos from uk.

877 records returns with an outstanding ep from rising stars of the bass music world, goldffinch (numbers, saigon, 877). geographically and sonically located directly between berlin and london, goldffinch deliver two genre mashing tracks taking the best from, house, techno and uk bass. fusing these elements into their own unique sound these are not tracks to be missed… already receiving serious support from some of the biggest djs about, the next year is sure to be a good one for goldffinch , dont miss out!

the lights go dim,the crowd roars and the announcer cries out, ladies and gentleman,its soul time!

haunting, post-house deconstruction from russian outsider neotnas. >that day< is vocal dance music for lost souls, disparaging practical compromise and sunny chord progressions for a bones-bare, ruthlessly sincere interrogation of hopelessness, apathy and ultimate transcendence. suppressed waves of orchestral melancholia pass through entrancing heroin-paced percussive mechanics, unveiling the cavernous sprawl of neotnas masterful production. casting an icy shadow of depth and despair that is not easily shaken, four by fog lends his unexpectedly beautiful vocals to the project, proving the axiom >if you dont have the key, just break the lock<.